A first for anyone, we were granted full access to the separate tracks of a Ned Doheny masterpiece. Accordingly, Claremont 56 maestro Paul "Mudd" Murphy was selected to preside over the full stems for Ned's classic "Think Like A Lover" and asked to deliver one of his famed remixes. His gentle disco rework blew us all away. An extended triumph of strung out balearic bliss, it is presented here on vinyl as a limited edition of 500 copies, complete with the dub on the flip. With mastering handled by the wonderful Simon Francis - engineer for both Claremont 56 and Be With - you know this sounds every bit as good as it feels. Housed in a beautifully produced disco sleeve, designed by Mudd himself, these will not be around for long. Just in time for Spring/Summer parties and festivals, ensure your set is flavoured with this slow-motion, string-drenched gift.
The Beginning was released digitally and on CD in 2001 by Swamp Records in the US and Audium Records in Europe. Long out of print, this record was Tony Joe's 29th and the first one where he controlled all elements of the studio. Stripped down and without any bells and whistles, this is Tony Joe recording, himself playing his classic swamp blues sound, and now for the first time on vinyl. Remastered and re-sequenced for RSD 2020 with new art and pressed on clear with black splatter vinyl.
Critically acclaimed artist and pivotal member of Fleetwood Mac, Stevie Nicks' first solo album,Bella Donna,was released on July 27, 1981, to critical and commercial acclaim, reaching number one on the Billboard 200 chart, with four singles making the Billboard Hot 100, and Rolling Stone deeming her "the Reigning Queen of Rock and Roll. TheBella Donnaalbum features several of Stevie Nicks most popular hits includingEdge of Seventeen, Stop Draggin my Heart Around(With Tom Petty), andLeather and Lace(With Don Henley).
'Grievous Angel' features much of the same band that played on his solo debut, and they perform with the same effortless grace and authority (especially guitarist James Burton and fiddler Byron Berline). Parsons still had plenty of gems on hand from more productive days, such as 'Brass Buttons' and 'Hickory Wind'. He also proved to be a shrewd judge of other people's material as always; Tom T Hall's 'I Can't Dance' and the Louvin Brothers's 'Cash on the Barrelhead.' for example. As a vocal duo, Parsons and Emmylou Harris only improved on this set, turning in a version of 'Love Hurts' so quietly impassioned and delicately beautiful that it's enough to make you forget Roy Orbison ever recorded it.
Manchester darling Songs for Walter returns with his second LP, An Endless Summer Daze.
Songs for Walter, otherwise known as Manchester-based songwriter Laurie Hulme, is rapidly becoming one of the city’s unsung heroes thanks to his seemingly whimsical, but often deeply touching brand of folk-pop.
Listen Here! is a sampler album released by Transatlantic Records in 1968. It was the second significant UK contemporary music sampler release in the period.
Transatlantic, founded in 1961, was a prototype for many of the UK independent labels that followed it. It established the UK folk-rock market, first by importing American records, and then by recording British artists. With the advent of psychedelia and flower power, the Transatlantic stable of artists achieved increasing popularity, culminating in the formation of the supergroup Pentangle. Meanwhile, Transatlantic had been extending its eclecticism, recording such as the eccentric audio collageist Ron Geesin, and The Purple Gang, whose "Granny Takes A Trip" was banned by the BBC in 1967.
The legendary Big Mama Thonrton - pioneer of rock 'n roll and R&B recorded live at Monroe State Prison and Oregon State Reformatory and in as fine a voice as you could possibly hope for. Not an easy one to get hold of this, so don't miss out!
The Very Best Of The Everly Brothers is a reminder to all of us as to what exactly constitutes real music.This 31-track collection on a double LP (available on the vinyl format for the first time) serves to remind us that The Everly Brothers were indeed one of a kind. We are beyond lucky to have this music to remember them.
Silver & Gold is the twenty-fourth studio album by Canadian musician Neil Young, released on April 25, 2000. Many of these songs were written in the late 1990s, though the song "Silver & Gold," which by his own estimation, he had been trying to get "the take" for around ten years, was written in 1981.
The Unrighteous Brothers - Unchained Melody RSD 2020
Breakthrough Masked Country Artist Orville Peck joins Paul Cauthen for two jukebox classics. As The Unrighteous Brothers, the duo of hardcore troubadours make an updated classic that showcases both artists' booming baritone. Produced by Butch Walker and Beau Bedford, the songs were cut in Nashville at the legendary RCA Studio A. Available for the first time on any physical format.
Basket of Light is the most progressive and complex release by the British folk-rock group Pentangle. Traditional English folk songs are reinterpreted with a mix of jazz, pop and rock influences. Everything their previous works promised is fulfilled here. The album opener “Light Flight” has become their signature song.
The songs of WilliamJames "Willie" Dixon (1915-1992) have been popularized by artists such as The Rolling Stones, The Doors, Eric Clapton, Cream, Jimi Hendrix and Led Zeppelin. And way before that, he's been responsible for many of the hit recordings by original blues icons like Muddy Waters, Sonny Boy Williamson, Little Walter and Howlin' Wolf.
On Sailor–the last Steve Miller Band album featuring original members Boz “Lido Shuffle” Scaggs and keyboardist Jim Peterman–the group splits their affection for white blues and psychedelic rock more or less down the middle, and tosses in a couple of Dylan/Stones/Beach Boys homages while they’re at it. All of which is to say they’re all over the damn place, but still manage to turn what might have been an impossibly diffuse LP into a charmer.
Elvis Presley - 50,000,000 Elvis Fans Can't Be Wrong
50,000,000 Elvis Fans Can't Be Wrong: Elvis' Gold Records, Volume 2 (or simply known as, Elvis' Gold Records, Volume 2) is the fourth compilation album by American singer and musician Elvis Presley, issued by RCA Victor in November 1959. It is a compilation of hit singles released in 1958 and 1959 by Presley, from recording sessions going back as far as February 1957.
What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
Released in the spring of 1977, with recordings covering a two-year period from November 1974 to November 1976, All Hopped Up is NRBQ’s fifth album. But in many ways it showcases a new band with a new spirit, a new energy, and a new approach.
It’s the first album with drummer Tom Ardolino, who joined in August 1974 at the age of 19 and entered the recording studio just three month later. His joining signals the start of the edition of NRBQ that spanned almost 20 years while gaining notoriety for their blockbuster live performances and classic recordings.
Four Sail was the fourth album by Love. It was originally released in 1969. Arthur Lee was the only original member to play on the album. Whilst it might not be as well known as their enduring classic, Forever Changes, it’s certainly an album worthy of high praise. It contains the song, Always See Your Face, which, in more recent years, has been used on a number of film soundtracks including Ladybird and High Fidelity.
Love, fronted by the charismatic Arthur Lee, was the first rock band signed to the '60s folk label Elektra, and their wild, enigmatic sound was a big part of their unique appeal. 'Da Capo', Love's second album, found the group augmented to a septet, allowing the material to shift through a variety of musical styles. The first six songs hover around the three-minute mark, employing odd time changes to touch on everything from waltzes and free jazz (in the same song) to more mainstream, pie-in-the-sky folk rock. After scoring a hit with the reverb-laden, fuzz-guitar driven 'Seven and Seven is', their follow-up forever changes led them down the path of critical respectability.
Lambchop - What Another Man Spills (20th Anniversary Edition)
To celebrate its 20th anniversary, Lambchop’s 1998 album What Another Man Spills is being pressed to vinyl for the first time after it’s original release 20 years ago! Remastered from the original DAT, the 2-LP and CD reissue features a refreshed artwork, and a limited version comes on clear and yellow vinyl. What Another Man Spills (1998) represents a milestone in Lambchop’s career, but not in the modern sense of a ‘landmark’ release. Building on foundations that had once sounded almost literally creaky, it expands upon the tentative manoeuvres they’d undertaken with the previous year’s Thriller (1997) and gestures confidently towards its brassy successor, Nixon, which would arrive in 2000 to wild acclaim and previously unimaginable commercial success. Liner Notes by Kurt Wagner.
This was the at-the-time-disappointing follow up to the splendid Nixon album where Lambchop eschewed the floaty country soul and made what seemed to be a samey set of piano-led torch songs. Yet time has a way of changing things and Is a Woman is now seen as something of a modern classic and is another oddball but pleasant diversion in a career that could be defined by the word idiosyncratic.
The comprehensive remastering and repackaging upgrade of the Man In Black’s legendary Sun catalogue continues with the release of Johnny Cash’s seventh and final album for Sun Records. Long after Cash's acrimonious departure for Columbia Records in 1958, Sun's release of Original Sun Sound of Johnny Cash proved that they still had a catalogue of high-quality unreleased Cash material, with four new songs: "New Mexico", "Goodnight Irene", "Always Alone" and "Two Timin' Woman". In fact, Sun had released the leanest, most accomplished album in the Cash canon. The record also featured Cash's perhaps career-defining single "Big River", which reached No. 4 in the country charts in 1958 and shows off his instinctive poetic ability.
Simon Houghton aka Sneaky is a Manchester born and bred cellist, bass player, arranger, composer and DJ operating out of Berlin. You might know him through the extensive catalog of his trio Fingathing (bass, turntables & visuals). Arguably, the project could have been the inspiration for the Gorillaz in regards to combining cartoon characters with music. Sneaky also played strings on a slew of songs from artist Robot Koch, appeared live in different configurations with members of the Cinematic Orchestra, Simian Mobile Disco and Mark Rae.
Mr. Scruff’s certified hit Get A Move On (featured in countless commercials) also happens to be set to his signature-style bass line. Right now Sneaky will drop his third solo record, this time venturing out into what he calls lo-fi neoclassical / mylife soundtrackterritory. Moondog and Arthur Russell fans will not be disappointed. And who knows, maybe the final destination for this man is writing to images flickering across a silver screen?